Courses and workshop booking now open. Limited spaces

Theatre
Amelia has worked as a Movement Director and as a Movement Specialist (dance, intimacy and fight choreography) since 2021. Productions have ranged from canonical plays, new writing, experimental physical performance and musical theatre productions.
Amelia and Conor O'Cuin in rehearsal Looking For Fun (2025)
Past Productions

Well Behaved Women
Movement Director & Fight Choreographer (2025) dir. Hannah Rogerson

First Days Gala
Assistant Choreographer (2024) Choreographer Polly Bennett, Assistant Choreographer Myron Birch

Moderation
Movement Director (2023) dir. Ben Newman & Ben Fleming

My Imaginary Friend
Movement Director (2023), dir. Ben Fleming
Perhaps We Need Become Indecent
Movement Assistant (2023), Movement Director Temitope Ajose-Cutting, dir. Anthea Lewis
A Midsummer Night's Dream
Movement Director & Assistant Director (2022) dir. Sara Cemin

Looking for Fun
Movement Director and Intimacy Director (2025) dir. Tazy Harrison-Moore

Graduation 2023: Royal Central School of Speech and Drama
Assistant Choreographer & Performer (2023), Choreographer Dr Tia-Monique Uzor

Looking for Fun
Movement Director & Intimacy Choreographer (2023), dir. Tazy Harrison Moore

Twelfth Night
Movement Direction Assistant (2023), Movement Director Rachel Birch
Ondine
Intimacy Choreographer (2022), dir. Philomène Cheynet
Wedding Singer
Fight Choreographer (2022), dir. Katie Slate

Spring Awakening
Fight Choreographer (2024) dir. Tara Noonan

Sabbath: A Tragedy of Witches
Movement Director & Fight Choreographer (2023) dir. Lydia Sax

Purgatory in Ingolstadt
Movement Director (2023) dir. Ellen McDougall

The Permanent Way
Movement Direction Assistant (2023), Movement Director Rachel Birch
Water Fruit Loops
Assistant Director & Movement Director (2022) dir. Rorke Eloff-Wilson
A Streetcar Named Desire
Intimacy Director (2021) dir. Tazy Harrison-Moore
R&D and workshops
Ahma and Louise
Movement Director (2025) dir. Jasmine Teo
People Looking Up
Movement Director (2024) dir. Ben Fleming

